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DeadlyBlondeArcher (Dec 27, 2005)
(One of my favorite Texans... and I was just thinking it's a good damn thing I don't have a "Clyde" right now.)Bonnie Parker stood 4’11" in her stocking feet, weighed 90 pounds, had Shirley Temple-colored strawberry-blond ringlets, was freckle-faced and, according to those who knew her, was very pretty. Born October 1, 1910, in Rowena, Texas, her parents were hard working laborers plunked down in life among the lower caste. A good student in high school, she excelled in creative writing and displayed a dramatic flair for the arts. Her favorite color was red; when she could afford it, she wore fashionable clothes dominating that color. She loved hats of all kinds. As a child, her father died young and her mother was forced to bring her and her two siblings to Cement City, near Dallas, where they lived with Mrs. Parker’s parents. Married too young, at age 16, her immature rattle-brained husband wound up in the penitentiary a year later. For money, she was forced to become a waitress. Bored and poor, she knew life had something more to offer. Clyde Chestnut Barrow stood 5’7," weighed 130 pounds, slicked back his thick brown hair in the style of the day, and parted it on the left. His eye color matched his hair. Women found him attractive. He came into this world as one of many children born to dirt-poor tenant farmer parents barely making a living on the cotton fields of Teleco, Texas. Moving with his parents, brothers and sisters to the Dallas outskirts, where his father ran a gas station (in which the family members crowded as one into a tiny back room), Clyde quickly learned to abhor poverty. Bored and poor, he too knew life had something more to offer. Bonnie and Clyde were meant for each other. And they clung to each other while they fought back against the elements. These elements were destitution and a government they took for its face value. They were children of a nationwide economic depression that not unlike France in the late 1700s had its upheavals -- and those who tried to keep small the size and impact of the upheavals. An anger dwelt within Clyde, having been born ragged and made more ragged by the Depression. He sometimes killed in cold blood, and always tried to justify the murders as if he had a right to pull that trigger, thus releasing somehow the seething that built up like a volcano deep inside him. Perhaps he actually believed in his own special privilege. As the fame of Bonnie and Clyde grew, they shot their way out of police loops, each time growing tighter and tighter, and claimed that the "laws" they killed just happened to get in the way between their fiery outcry and the rest of the country. Their killings were not personal, they contended. But, the government took them personal. And Bonnie and her man were marked for death.
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(I don't know which one of anna's pics you were referring to?)
Hide, I do appreciate constructive criticism (coming from someone with artistic knowledge who knows what they are talking about)... that is always helpful. I never said my paintings were perfect. I personally think you should spend a little more time working on your own art than trying to critique others. I noticed you spend alot of time criticizing almost everything everyone does, and most of the time your criticisms are not constructive, nor are they accurate.
and.... while we're talking about what's wrong with it, the license plate is totally horribly wrong, the angle, the perspective... it's really badly done.
bzzt. wrong. hahahah i laugh at you!
and kristine is right i believe. its the turtleneck think she has going on that makes it all disconnected looking. her head that is. but whatever its still great.
I like DBA's work a lot, some pieces more than others. It's not the sort of work I would buy - I tend to buy abstract, minimalist works - but I appreciate it nonetheless. This is a good picture, I like it ... but hideyourface is right, the proportions are wrong. In comparison to the ref, the legs are too short. In real life I have no doubt that Bonnie Parker's head was disportionately large, that's not uncommon but in this pic the scale and proportions are the same as the ref down to and including the hips/ass and after that, they're not. If you want to be anally retentive about it, you could resize this pic to the same width as the ref, erase most of the background then overlay the figure on the ref ... or you could take my anally retentive word for it that the legs are too short for the torso/head.
But I still like it. :)
As for your drawing, I like it. :-)
I really considered revising this picture and trying to make it right, but it wouldn't be nearly this much fun if it were right, and I probably can't do it, anyway. I gotta go scrub the black powder out from under my nails now.
lol, i want that tshirt.
oh yeah, and I have you, Staci to thank for teaching me how to accept, and use criticism constructively, without getting my fur all ruffed and stuff. I learned that partially by watching you do it gracefully and get better. So... thank you.
Consider each drawing as a practice towards getting better on the next piece.
Criticism is really a 'take it or leave it' deal. It's the artist's decision which to take into consideration while leaving others alone. Besides, it's like my professor always said: "It's only speculation until you try it."
ok im good now :)
It is said that she was not as bad as the police made her out to be and that they did not want to rob the people just the bank
They were known to give poor people packs of bills on the side of the road ;P
Cool pic Cindy…. this is on the press used to portray her as a killer but she really wasn't