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comd (Apr 6, 2006)
After doing my last picture here which was a very mechanical attempt to achieve photorealism where my only aim way to copy the photo, I wanted to go in the opposite direction, getting back more to what I was trying to do in the intermediate boards, instead attempting the loosest attempt to draw from a reference yet, with an attempt to only use the reference without drawing the reference at all. Accuracy to the photo is not going to be a criteria in this case. It's going to be about speed, looseness, and improvisation. I just finished a lot of work, so hopefully I'll have the time to focus on something challenging. I'm going to try to combine what I've learned from both my practice in drawing with references and inventing forms without references to make something that hopefully doesn't suck too much and doesn't require too much time spent on it (hopefully something I finish by the end of the day). By using a reference, I'm hoping the result will be more convincing and anatomically correct than some of my doodles on this board where I didn't use any references at all. By not drawing the reference directly, the end result will hopefully be something fairly different than the photo and interesting on its own. Most importantly, I'm hoping it will be a useful exercise that will help me get better. Reference: http://hq55.com/scan/willemdafoe/01.jpg. After cropping out the text on the left, I decided to flip him horizontally. I just liked it better that way after removing all the space on the left. I don't know why I liked it better - I'm not a composition expert, but I liked the initial focus to be on the left flowing towards the right, and having the brighter portion of the face on the left seemed to do that more. I don't really know what I'm going to end up with. I have a fantasy theme in mind: maybe a warrior or a priest or something.
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drawn in 16 min
This first freehand copy is just a quick study. I wanted to get a sense of the form and lines on the face before I started messing with everything. Now I'm going to stop using the photo for the most part. After making this study, I've already memorized and recorded all the necessary information I want out of it.
drawn in 3 hours 47 min
Initially I drew a skull over the face to just get a feel for the underlying structure. After that, I started making him even more gaunt and was planning to go with that, but after I got back from my meeting, I decided that was a bit too convenient. I didn't want to just make an exaggerated version of Willem Dafoe. So, I instead went in the opposite direction of what I wanted to do and thickened him up quite a bit. I gave him a wider jaw, neck, and a generally more powerful look.
I also played around with halftones a bit. They're fun: I like texture because I can sometimes find new things in it and make more happy accidents with a textured canvas/brush stroke.
I'll try to slap on some shading/color now.
drawn in 44 min
I didn't want to spend too much time at this stage since I'm trying to get better at drawing, not at rendering. The last picture I submitted here was a good rendering exercise, but it was a horrible drawing exercise since I was just copying grid cells for the line drawing.
Just have to ask what your name represents, if it's a abbreviation of something. Curious is all.
Creepy. But good, very very good. I love how you can still see the sketch lines.