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Felistorm
(Nov 27, 2013)
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Felistorm
(Nov 27, 2013)
Suffering from artists block |
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Felistorm
(Nov 25, 2013)
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Felistorm
(Nov 24, 2013)
Safety save |
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Felistorm
(Nov 24, 2013)
Safety save |
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thinbear
(Nov 23, 2013)
ref used: http://1.bp.blogspot.com/-TjlUbs2yALg/UQWah1sg6eI/AAAAAAAAADU/jtABF5-_Q4E/s1600/animals-pictures-cat-eyes-macro-photography+%282%29.jpgmay "debug" tomorrow |
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Felistorm
(Nov 23, 2013)
safety save |
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Felistorm
(Nov 21, 2013)
So mad....those lines didn't pop up til I hit save and then it was too late. ....otherwise this creature is sort of an evolutionized idea of a bird...losing it's need for wings developing (well de-evolving?) into more like a dinosaur counterpart. Living in the mountainous area of it's planet (yeah decided it was to be extra-terrestrial ) it is now sentient.
Teapot (Nov 21, 2013)
Wow, this is great. Very dynamic with the angles and the perspective. Any chance the lines are on a separate layer? Hope so.
Felistorm (Nov 22, 2013)
Thanks!! :) Maybe. I was thinking I could maybe go in and play with this one and see what I could do to take them out. I've decided Lascaux is jealous of any music player I run LOL It starts doing weird stuff. :P Then again my comp has been griping at me about memory. |
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Bobstained
(Nov 30, 2009)
vlad.the.hamster (Dec 3, 2009)
Woah.
DorsY69 (Dec 23, 2009)
Holy ..... that's amazing!
shell (Apr 2, 2010)
nice texture nailed it
beefcake619 (Nov 20, 2013)
capital work |
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Felistorm
(Nov 20, 2013)
Figured I'd work it to death if I kept going. Anyway arctic merperson |
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2draw.net © 2002-2025 2draw.net team/Cellosoft - copyright details - 0.80sec (sql: 31q/0.78sec) |
drawn in 32 min
http://www.ratemydrawings.com/drawings/photorealism/415490.html
Here's what I think: (could be wrong as most of my experience/tutorial are from internet)
I used to paint animal by drawing their fur, one by one, slow yet I thought it was "accurate".
Later I figured out using photo as reference is better than real object as the focal point is fixed. The unfocused area should be blurred or using a softer brush. (In a real object painting, your eyes auto focus wherever your stare at, I made this mistake for a long time)
Later when I see Roytjes' amazing art on 2draw, I learn that using "rough" "in-completed" brush stroke to represent the non-focused area/unimportant part (instead of blurring it), elevate the feeling of the whole picture to another level. It is very different from the realism painting I have been practicing.
It is hard for me to jump to his style, could be I am missing some basic lessons and lack of sufficient practice. (I tried several before and they turns out giving a very sloppy with weird color tones >_<) I think I can somewhat manipulate in "pixel level" well, but not "brush stroke" level yet.
In this drawing I intend not to "jump too far", experiencing somewhere between his style and realism where I am more comforted with.
About the color, someone taught me I can break down the color for lighten and shaded part; taken a green leave as example, the sun lit area can be colored with lime yellow or even yellow on the edge; the shaded part can be darken with blue or black. I sometimes even shift the color tone for fun, but not always success.
It is hard to express abstract things in second language, hope you understand. :)